An accidental relationship is formed between two artworks simultaneously showing in two different spaces dedicated to the display of contemporary art work in Cork. Grace
Closing of The Bones Essay | Written by Aoife Desmond Read More »
Page / Process / Proceed is a curatorial project by Kim Crowley exploring how text-based instruction can act as a catalyst for generativity. This iteration
‘Field Trip’ is a group exhibition of Backwater Artist Group members curated by Kevin Kavanagh and Alanah Murray. A field trip is an excursion to
Field Trip: A flick of the wrist | Written by Sarah Long Read More »
[We Must Not Act Like] Children of our Parents[1]___________________ [1] There is a hierarchy that exists on the page. What is written up there is
[We Must Not Act Like] Children of our Parents | Written by Sarah Long Read More »
A response to Joseph Heffernan’s exhibition A Thousand Years by Aideen Quirke When you grow up as a child in the countryside, you find yourself
No invitation is required | Written by Aideen Quirke Read More »
A jubilant exploration of queer symbolism and iconography from the 6th century through to the present day, Helen Cantwell’s debut solo exhibition, In My Day,
In My Day Response | Written by Aoife Banks Read More »
The game of chess — long a preoccupation of Anna Barden’s — can be quite deceptive. We think of it as cerebral, the unfolding of
The self-evident truth “I am mortal” comes with age. This reference to age is often taken the wrong way, misunderstood – it’s seen as coquetry:
It is a Sunday (I think) and I am a child in my parents ’car as we go for a drive. I recall a moment
Clandestine Reflections | Written by Laurence Counihan Read More »
When your king, as a result of your inexperience, lack of attention, imprudence, or the opponent’s superiority, is ever more closely threatened (but the threat
Becoming Chess | Written by Laurence Counihan Read More »
